Say Eminem in a snippet from the issue out February 8th.
"While it was no surprise to rap fans that Marshall Mathers was interested in signing the super lyrical crew of his former rap partner, Royce, Em’s deal with up-and-coming Southern rapper, Yela, came as a surprise to the hip-hop nation. But, similar to Slaughterhouse, Em started out as a fan of quick-tongued Alabama MC. “I saw the video to ‘Pop the Trunk,’ and I was like, ‘Yo, this is fuckin’ dope,’ Em says. “I took the CD home that I had already had and started listening to the shit, and I was like, ‘Fuck, he can spit.’”
With the new Shady in tow, Eminem may be ushering in a return to wordplay in hip-hop, something that hip-hop heads have been missing from the genre for quite some time. “It just feels good to put lyricism in the forefront again, in my eyes,” Joell Ortiz says in the article. “Some of my heroes, when I came up rhymin’, were Biggie Smalls, Big L—rest in peace to all these—Big Pun. Dudes who were passionate about the way they put words together, the message they sent when they rhymed, and just bein’ ill with the pen. And I feel like this group, and Yelawolf and Em, are dudes who stand for that. And it’s good to see the pure form gettin’ shine again.” "
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